By Andrew V. Uroskie
Explaining that the postwar extended cinema was once a reaction to either advancements, Andrew V. Uroskie argues that, instead of a proper or technological innovation, the most important swap for artists concerned a displacement of the relocating picture from the familiarity of the cinematic theater to unique areas and contexts. He indicates how newly to be had, low-cost movie and video expertise enabled artists akin to Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and particularly Andy Warhol to develop into filmmakers. via their efforts to discover a clean method of experiencing the relocating photograph, those artists sought to reimagine the character and chances of paintings in a post-cinematic age and helped to improve a singular area among the “black field” of the movie show and the “white dice” of the paintings gallery. filled with over 100 illustrations, Between the Black field and the White Cube is a compelling examine a seminal second within the cultural lifetime of the relocating photo and its emergence in modern art.
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Extra resources for Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art by Andrew V. Uroskie